mus. S. 74–76, Review by Ewald Jammers: Die Lieder des Fürsten Wizlaw von Rügen. Auflage des Köchel-Verzeichnisses. S. 26–28, Fr. S. 10–15, Friedrich W. Riedel: Mainz — Musikstadt im Spiegel internationaler Verbindungen. S. 73–75, André Jurres: Music Information Centres. S. 231–232, Review by Felicitas Zink: Mozart: Briefe und Aufzeichnungen. S. 159–168, Marit Grimstad: The Digital Radio Archives (Dra) At The Norwegian Broadcasting Corporation. Cronistoria dei viaggi, documenti, lettere dizionario dei luoghi e delle persone. S. 255–256, Gertraut Haberkamp, Helmut Rösing: Text- und Musikincipit-Register zu den Anhängen 1 und 2 in RISM A/I Band 9. Hansen. S. 273–274, Irving Godt, Mimi S. Daitz: COMMUNICATIONS. S. 5–21, Alison Hall: General Assembly: Iaml 19Th Congress: 12 July 2001 In Périgueux, France. S. 75–79. S. 131–133, Claudio Sartori: Il fondo di musiche a stampa della Biblioteca del Seminario di Lucca. S. 50–56, Joachim Jaenecke: Die Staatsbibliotheken in Berlin und ihre Musikabteilungen. S. 67–70, Bryan R. Simms: The Historical Editions of Alexandre-Étienne Choron. S. 49, Wolfgang Krueger: Bericht der IVMB/Deutschland e.V., Oktober 1999—September 2000. S. 201, Review by Neil Ratliff: Songs from Hollywood Musical Comedies, 1927 to the Present: A Dictionary by Allen L. Woll. S. 28–37, Hans Peter Schanzlin: Musik-Sammeldrucke des 16. und 17. (Studi di musica veneta: quaderni vivaldiani, 3) by Anna Laura Bellina; Bruno Brizi; Maria Grazia Pensa. S. 17–18, Mary Kay Duggan, Neil Ratliff: Project Group on Hofmeister XIX. S. 373, Manual Ervitti, Manual Erviti: Archives and Music Documentation Centres Branch. S. 146–147, Charles Hamm, Herbert Kellman: The Musicological Archive for Renaissance Manuscript Studies. S. 383–384, David Day: Bibliography Commission. S. 71, Alexander Hyatt King: Short Address. S. 399–401, Klaus Keil: Répertoire International des Sources Musicales (RISM). S. 184, Mireille Geering: Working Group on Uniform Titles for Music Manuscript Collections other than Liturgical. S. 52–54, Review by Philipp Naegele: Haydns gesammelte Briefe und Aufzeichnungen. S. 157, ELECTION RESULTS — ELECTION RESULTS — ELECTION RESULTS. S. 25–28, Joachim Jaenecke: Dating Music Manuscripts And Prints: An Overview Of Past And Present Research. S. 351–357, Glenda Dawn Goss: A Critical Edition For Jean Sibelius. 11, 1978); Miserere [in E-flat major], MS (vol. S. 37–38, Bengt Kyhlberg: Broadcasting Libraries Commission. S. 187–193, Chris Banks: Russian Music Archives In The British Library: An Overview. S. 63–64, Joan Colquhoun: Project Group on UNIMARC. (Studies in Liturgical Musicology, 5) by Ulrich Meyer. S. 82, LISTE INTERNATIONALE SÉLECTIVE No. Band II: Vom Barock bis zur Gegenwart by Rudolf Flotzinger; Gernot Gruber. S. 340, Stanisław Hrabia: Programme Committee. S. 188–189, Joachim Jaenecke: Documenta musicologica. Harald Heckmann: Schallaufzeichnungen als musikgeschichtliche Quellen. S. 81–82, Joachim Jaenecke: Musikbibliothekswesen in der Bundesrepublik Deutschland: Einleitung. S. 397–398, Review by Mark E. Perry: Analytical Studies in World Music by Michael Tenzer. S. 88–92, Marianne Lyon: Le Centre de documentation de la musique contemporaine (Cdmc). S. 180–181, Review by François Lesure: Analyses of nineteenth-century music. S. 121, Review by François Lesure: Stravinsky. S. 170–172, Irina Vladimirovna Grigor’eva: The Music Library Of The State Academic Vocal Academy Of St. Petersburg. S. 34, Review by F. Lesure: Une tablature de luth franco-italienne. S. 18, Kurt Dorfmüller, Brian Redfern: Katalog-Kommission. S. 143–145, J. Bradford Young: The Great Abuse of Musick, 1711. S. 192–194, Review by Harriette Hemmasi: The coming of age of American art music: New England’s classical romanticists. S. 119–120, Silvano De Francesco: Annotazioni su alcune musiche, finora non segnalate, di Giorgio Federico Ghedini. S. 161–163, Review by Martin Staehelin: Manuscrits de musique polyphonique, XVe et XVIe siècles: Italie. S. 146–148, Review by Kerala J. Snyder: Thematisch-Systematisches Verzeichnis der musikalischen Werke von Dietrich Buxtehude: Buxtehude-Werke-Verzeichnis (BuxWV) by Georg Karstädt. Geburtstag von Karl August Bettermann. S. 55, Joan Colquhoun: Project Group on UNIMARC: Report. S. 240–241, Review by Harald Heckmann: Sound Archives. (Detroit Studies in Music Bibliography, 66) by Lyle Nordstrom. S. 6, Veslemöy Heintz: Tokyo Conference: Business Matters: Council meetings, 4 and 8 September 1988, in Tokyo, Japan. S. 193–195, Publications à Caractère Bibliographique. S. 72–74, Review by George Kennaway: Estonian Sound Recordings 1939 by Kadri Steinbach; Urve Lippus. S. 336–338, Inger Enquist and Jon Bagüés: Working Group Access to Music Archives. "hallo bea! S. 128–141, Robyn Holmes: Contexts, Contents And Challenges: Publishing Music Research In Australia. Commission on Répertoire International de la Presse Musicale du XIXe Siècle. S. 378–412, Review by Judy Tsou: Women and Music: A Selective Annotated Bibliography on Women and Gender Issues in Music 1987—1992 by Margaret D. Ericson. S. 174–184, Isabel Rose: Music in Public Libraries in Canada. Leopold Nowak: Österreichische Nationalbibliothek: Der Wiederaufbau der Musiksammlung. S. 111, Veslemöy Heintz: Council Meetings: 22 and 27 July 1994 in Ottawa. S. 104, Heinz Lanzke: ISBD (Music) — First Meeting of the IFLA/IAML Working Group in Mainz, 19—21 September 1977. S. 17–18, David A. S. 323–327, Review by Georgie Durosoir: Italian manuscript sources of 17th century keyboard music. S. 362–468, Review by Melissa Ursula Dawn Goldsmith: The Mahler Family Letters by Stephen McClatchie. S. 162–166, Éditions et Rééditions de Musique MODERNE (XIXe et XXe ss.). S. 215–218, Nouvelles / Nachrichten / News. S. 51–52, Mary Wallace Davidson: Towards a National Program for the Retrospective Conversion of Music Records. S. 225–227, Liste des Participants au Congrès. S. 180–181, Liesbeth Hoedemaeker: Research Libraries Branch. I, no. S. 33–35, Alarik Repo: Association Of Finnish Symphony Orchestras: National Central Library Of Orchestral Music. Seventh edition revised by Nicolas Slonimsky. S. 224–225, Review by Ian Davis: Game Sound: An Introduction to the History, Theory, and Practice of Video Game Music and Sound Design by Karen Collins. S. 290–291, Communiqués/Mitteilungen/Communications. Printing, Publication and Distribution of Musical Works. S. 96, Review by Peter Sühring: Briefwechsel mit Leipziger Verlegern III: Friese, Hofmeister, Peters, Siegel. S. 48–49, Review by Marie-Noëlle Colette: H. 159 Montpellier. S. 26, Nanna Schiødt, Ad Blokland: IAML Archive Committee. S. 18–19, Kirsten Maegaard: PUBLIC LIBRARIES BRANCH. S. 57–60, Hans Zehnter: A: Paper by André Jurres (Amsterdam). Deutsche Fachprosa des Spätmittelalters im Bereich der Musik. S. 201–202, John H. Roberts: Bibliography Commission. Catalogue by Krystyna Kobylańska. S. 138–139, Vincent H. Duckles: The Role of the Public Library in Modern Musical Education: an American Appraisal. S. 193–195, Review by Marie-Noël Colette: The Grammar of gregorian tonality. (Garland Composer Resource Manuals, 12; Garland Reference Library of the Humanities, 757) by Michael Talbot. S. 90–98, Rudolf Elvers: COMMISSION OF RESEARCH LIBRARIES. S. 80–82, K. Schmidt-Phiseldeck: Commission Internationale du Code de Catalogage. Die graphischen Einzelblätter (Quellenkataloge zur Musikgeschichte, 11—12) by Günter Schöne. S. 126–127, Review by Jan Dewilde: George Onslow: Gentleman Composer by Viviane Niaux. S. 276–277, Review by Richard Andrewes: A catalogue of 18th-century symphonies. S. 83–90, Rita Benton: A Statement from the new Editor. 2. S. 201, A. Hyatt King: The History of Music Libraries in the United Kingdom. S. 16–17, Imogen Fellinger: Project Group on Music Periodicals. S. 169–175, Helmut Rösner: Zur Statistik der Musikbibliotheken. S. 74–75, Maria Calderisi: From the President. S. 139, Review by Chris Walton: Im Dienst der Quellen zur Musik. S. 3–5, Maria Calderisi: From the President. S. 242–243, Neil Ratliff, Kirsten Maegaard, Huib Deetman, Wolfgang Rehm: BUSINESS MATTERS. S. 39–44, Carol Steyn: The Music Manuscripts Of The Grey Collection In Cape Town And Their European Connections. S. 193–196, Kaye Hill: Australia: July 1995—June 1996. S. 224–225, Review by Brian Cockburn: A Conductor’s Guide to Nineteenth-Century Choral-Orchestral Works by Jonathan D. Green. S. 213, Kaye Hill: Australian Branch: January to August 1993. 8. S. 235, Kirsten Walsh: A Brief History of the University of British Columbia Music Library. S. 86–87, Review by David F. García: Music in Latin America and the Caribbean: An Encyclopedic History. S. 405–406, Susanne Hein: Größe, kluge Voraussicht und feinsinniger Humor: Zum Tode von Prof. Dr. Wolfgang Krueger (23.06.1942—16.04.2009). S. 62, Lenore Coral: Project Group on ISBD(NBM). S. 600–601, Hanneke Kuiper: Public Libraries Branch. S. 369, Jim Cassaro, James Cassaro: Programme Committee. 4) by H. Earle Johnson. S. 22, Huib Deetman: The Tasks Of A Music Librarian: A Report To The Commission On Education And Training. S. 282–351, Review by Gertraut Haberkamp: Hudobný klasicizmus na Slovensku v dobových dokumentoch-Musikalische Klassik in der Slowakei in Zeitdokumenten by Darina Múdra. S. 99–100, Review by Georg Günther: Europäische Romantik in der Musik. Zoomalia.com, l'animalerie en ligne au meilleur prix. (Hochschule für Musik und Darstellende Kunst Frankfurt/Main, Musikwissenschaftlich Publikationen, Bd. S. 212–214, Richard Andrewes, Janet M. Smith, Birthe Heien, Ruth Henderson, Ruth Froriep: Communiqués / Mitteilungen / Communications. S. 173–176, Caroline Symes: Australia July 1996—June 1997. Jahrhunderts: Nachträge, Folge 3. S. 76–78, Antonio Baldassare, Antonio Baldassarre: RIdIM (Répertoire international d’iconographie musicale). by Derek C. Hulme; Irina Shostakovich. S. 308–319, Santie de Jongh: From St Petersburg To The Cape: Three Autobiographical Texts By Albert Coates. Die Anfänge des Musikdrucks nördlich der Alpen. S. 251–257, Thomas Stoner: Mendelssohn’s Lieder not Included in the Werke. S. 283–313, Margaret Seares: John Christopher Smith’s Harpsichord Music: A Clarification Of The Publications. Carmina Burana. S. 162, Review by Catherine Massip: Die Musikhandschriften des Dominikanerinnen-Klosters Lienz im Tiroler Landesmuseum Ferdinandeum. S. 51–65, Per Dahl: The Rise And Fall Of Literacy In Classical Music: An Essay On Musical Notation. S. 69–70. S. 78–80, Review by Ludwig Finscher: Mozarts Briefe und Aufzeichnungen. Karl-Heinz Köhler: Return of Treasures to the Deutsche Staatsbibliothek. Ikonologische Studien hrsg. S. 65–66, Laurence Decobert: Commission de Catalogage : Sous-commission Unimarc. Fourth Edition by David Daniels. S. 37, Ann Schuursma: Project Group on Classification and Indexing. Minutage de l’époque. April 1968 By Richard Baum; Wolfgang Rehm. S. 20–21, Wim Dijk: Availability of Sound Recordings in Public Collections. S. 38–43, Setsuko Mori: A Historical Survey of Music Periodicals in Japan: 1881—1920. S. 357–361, Mary Wedgewood: Commission on Audio-Visual Materials. 13 (juillet 1959). S. 390–391, Georgina Binns: Australian Challenges for Music Libraries and Archives of the Future. S. 284–289, Marina Mikhailets: The Publishing Situation In Latvia. S. 276, Review by A. Hyatt King: Mozart. S. 248–265, Charles Ditto: Handel’s Musical Clock Music. S. 439–441, Review by Paul Nash: There’s a Place For Us: The Musical Theatre Works of Leonard Bernstein by Helen Smith. Séance de la Société française de Musicologie: „Le Tempo dans l’exécution musicale du XVIIe et du XVIIIe siècles“ „Le Tempo dans la musique de tradition orale“. Opening of the New Norwegian Opera House. S. 95–106, Ellen Roeser: Die Öffentlichen Musikbibliotheken in den neuen Bundesländern: Eine Bestandsaufnahme. S. 136–138, James J. Fuld, James R. Anthony: Information. Beck Wissen; 2474) by Arnfried Edler. S. 1–4, Alfons Ott, Hans Ruppe: First International Conference Of The Commission Of Public Music Libraries (Salzburg, September 8—11, 1958). S. 223–224, Jean-Claude Garreta: Estampes à Sujets Musicaux Relevées dans les Recueils de la Bibliothèque Municipale de Dijon: Exposition présentée dans les salles Vaillant et Boullemier de la Bibliothèque: Catalogue. S. 204–216, Geraldine E. Ostrove: Recent Publications In Music. 50., ein selten aufgeführtes weltliches Oratorium mit wechselnden Solisten zu präsentieren. S. 180–190, Reis W. Flora: Twelve Ragamala Paintings In The National Gallery Of Victoria, Melbourne: A Concordance For Two Sets Of Names And Five Sets Of Numbers. S. 139–172, Bettina von Seyfried: Das Deutsche Musikarchiv Berlin Der Deutschen Bibliothek Als Musikalisches Informationszentrum. S. 394–396, Review by Martin Jenkins: The English Musical Renaissance 1860—1940: Construction and Deconstruction by Robert Stradling; Meirion Hughes. S. 148–150, Tiziana Grande: Neapolitan Music Periodicals In The Second Half Of The 19Th Century. S. 298–300, Tinsley Silcox: Reading about: Preservation. S. 192–194, Review by Wolfgang Marx: Musikalische Analyse und kulturgeschichtliche Kontextualisierung. S. 99–100, A. Hyatt King: Music in the British Library. S. 227–228, Liste Internationale Selective No. S. 239–240, Publications à Caractère Bibliographique. (Repertoire international des sources musicales, sér. S. 396–398, Ingeborg Rørbye: Public Music Libraries In Denmark. S. 219–220, Review by John Hajdu Heyer: Les Manuscrits autographes de Marc-Antoine Charpentier by Catherine Cessac. S. 237–245, Heikki Poroila: Children And The Music Library. S. 169, Maria Calderisi Bryce: From the President. Notre Domaine familial à Barr. Aspekte, Methoden und Ziele by Artur Simon. S. 40–52, Editions Et Reeditions De Musique Ancienne (avant 1800). S. 94–96, Stig Berg: The Swedish National Bibliography: Printed Music. Kleine Schriftenlese : Von Ludwig Renn et des millions de livres en stock sur Amazon.fr. 2, vol. (Detroit Studies in Music Bibliography, 67) by Diane Parr Walker; Paul Walker. S. 147–148, Liesbeth Hoedemaeker: Research Libraries. Retrouvez Der Geburtstag: Ein Lustpiel... et des millions de livres en stock sur Amazon.fr. S. 287–288, Review by David Lasocki: Antonio Vivaldi: A Guide to Research. S. 300, Maria Calderisi Bryce: From the President. S. 280–285, David Horn: The Institute of Popular Music at the University of Liverpool. THAT IS WHY OUR THEATRICAL RELEASE, PLANNED FOR APRIL, 16, 2020, IS POSTPONED! S. 274–276, Review by Julian Rushton: Berlioz, la voix du romantisme by Catherine Massip; Cécile Reynaud. S. 77–79, Lionel R. Mc Colvin: Music in Public Libraries — why? S. 282–283, Anders Lönn: ISMN — a standard in the making. I à IV. S. 155–156, Review by H. Stephen Wright: Unheard melodies: narrative film music by Claudia Gorbman. (Sociology of Music, 7) by Mary Sue Morrow. S. 102–111, Inger Enquist: CHRONOLOGY OF THE INTERNATIONAL Association OF MUSIC LIBRARIES, ARCHIVES AND DOCUMENTATION CENTRES (IAML), 1949–2000. S. 73–74, Hans Lenneberg: Problems in the International Exchange of Microfilm. S. 103–117. S. 135–136, Nouvelles / Nachrichten / News. S. 231–235, Josette Millet-Alviset: Patrimoine Musical de Vichy. (Detroit Studies in Music Bibliography, 55) by Sterling E. Murray. S. 297–300, Klaus Keil: RISM: Report for 2002. S. 227–236, Kirsten Beißwenger: Erwerbsmethoden Von Musikalien Im Frühen 18. S. 39–72, Éditions Et Rééditions De Musique Ancienne (Avant 1800). (Publicaciones del Instituto Caro y Cuervo, XXXVII) by José Ignacio Perdomo Escobar.

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