mus. S. 74–76, Review by Ewald Jammers: Die Lieder des Fürsten Wizlaw von Rügen. Auflage des Köchel-Verzeichnisses. S. 26–28, Fr. S. 10–15, Friedrich W. Riedel: Mainz — Musikstadt im Spiegel internationaler Verbindungen. S. 73–75, André Jurres: Music Information Centres. S. 231–232, Review by Felicitas Zink: Mozart: Briefe und Aufzeichnungen. S. 159–168, Marit Grimstad: The Digital Radio Archives (Dra) At The Norwegian Broadcasting Corporation. Cronistoria dei viaggi, documenti, lettere dizionario dei luoghi e delle persone. S. 255–256, Gertraut Haberkamp, Helmut Rösing: Text- und Musikincipit-Register zu den Anhängen 1 und 2 in RISM A/I Band 9. Hansen. S. 273–274, Irving Godt, Mimi S. Daitz: COMMUNICATIONS. S. 5–21, Alison Hall: General Assembly: Iaml 19Th Congress: 12 July 2001 In Périgueux, France. S. 75–79. S. 131–133, Claudio Sartori: Il fondo di musiche a stampa della Biblioteca del Seminario di Lucca. S. 50–56, Joachim Jaenecke: Die Staatsbibliotheken in Berlin und ihre Musikabteilungen. S. 67–70, Bryan R. Simms: The Historical Editions of Alexandre-Étienne Choron. S. 49, Wolfgang Krueger: Bericht der IVMB/Deutschland e.V., Oktober 1999—September 2000. S. 201, Review by Neil Ratliff: Songs from Hollywood Musical Comedies, 1927 to the Present: A Dictionary by Allen L. Woll. S. 28–37, Hans Peter Schanzlin: Musik-Sammeldrucke des 16. und 17. (Studi di musica veneta: quaderni vivaldiani, 3) by Anna Laura Bellina; Bruno Brizi; Maria Grazia Pensa. S. 17–18, Mary Kay Duggan, Neil Ratliff: Project Group on Hofmeister XIX. S. 373, Manual Ervitti, Manual Erviti: Archives and Music Documentation Centres Branch. S. 146–147, Charles Hamm, Herbert Kellman: The Musicological Archive for Renaissance Manuscript Studies. S. 383–384, David Day: Bibliography Commission. S. 71, Alexander Hyatt King: Short Address. S. 399–401, Klaus Keil: Répertoire International des Sources Musicales (RISM). S. 184, Mireille Geering: Working Group on Uniform Titles for Music Manuscript Collections other than Liturgical. S. 52–54, Review by Philipp Naegele: Haydns gesammelte Briefe und Aufzeichnungen. S. 157, ELECTION RESULTS — ELECTION RESULTS — ELECTION RESULTS. S. 25–28, Joachim Jaenecke: Dating Music Manuscripts And Prints: An Overview Of Past And Present Research. S. 351–357, Glenda Dawn Goss: A Critical Edition For Jean Sibelius. 11, 1978); Miserere [in E-flat major], MS (vol. S. 37–38, Bengt Kyhlberg: Broadcasting Libraries Commission. S. 187–193, Chris Banks: Russian Music Archives In The British Library: An Overview. S. 63–64, Joan Colquhoun: Project Group on UNIMARC. (Studies in Liturgical Musicology, 5) by Ulrich Meyer. S. 82, LISTE INTERNATIONALE SÉLECTIVE No. Band II: Vom Barock bis zur Gegenwart by Rudolf Flotzinger; Gernot Gruber. S. 340, Stanisław Hrabia: Programme Committee. S. 188–189, Joachim Jaenecke: Documenta musicologica. Harald Heckmann: Schallaufzeichnungen als musikgeschichtliche Quellen. S. 81–82, Joachim Jaenecke: Musikbibliothekswesen in der Bundesrepublik Deutschland: Einleitung. S. 397–398, Review by Mark E. Perry: Analytical Studies in World Music by Michael Tenzer. S. 88–92, Marianne Lyon: Le Centre de documentation de la musique contemporaine (Cdmc). S. 180–181, Review by François Lesure: Analyses of nineteenth-century music. S. 121, Review by François Lesure: Stravinsky. S. 170–172, Irina Vladimirovna Grigor’eva: The Music Library Of The State Academic Vocal Academy Of St. Petersburg. S. 34, Review by F. Lesure: Une tablature de luth franco-italienne. S. 18, Kurt Dorfmüller, Brian Redfern: Katalog-Kommission. S. 143–145, J. Bradford Young: The Great Abuse of Musick, 1711. S. 192–194, Review by Harriette Hemmasi: The coming of age of American art music: New England’s classical romanticists. S. 119–120, Silvano De Francesco: Annotazioni su alcune musiche, finora non segnalate, di Giorgio Federico Ghedini. S. 161–163, Review by Martin Staehelin: Manuscrits de musique polyphonique, XVe et XVIe siècles: Italie. S. 146–148, Review by Kerala J. Snyder: Thematisch-Systematisches Verzeichnis der musikalischen Werke von Dietrich Buxtehude: Buxtehude-Werke-Verzeichnis (BuxWV) by Georg Karstädt. Geburtstag von Karl August Bettermann. S. 55, Joan Colquhoun: Project Group on UNIMARC: Report. S. 240–241, Review by Harald Heckmann: Sound Archives. (Detroit Studies in Music Bibliography, 66) by Lyle Nordstrom. S. 6, Veslemöy Heintz: Tokyo Conference: Business Matters: Council meetings, 4 and 8 September 1988, in Tokyo, Japan. S. 193–195, Publications à Caractère Bibliographique. S. 72–74, Review by George Kennaway: Estonian Sound Recordings 1939 by Kadri Steinbach; Urve Lippus. S. 336–338, Inger Enquist and Jon Bagüés: Working Group Access to Music Archives. "hallo bea! S. 128–141, Robyn Holmes: Contexts, Contents And Challenges: Publishing Music Research In Australia. Commission on Répertoire International de la Presse Musicale du XIXe Siècle. S. 378–412, Review by Judy Tsou: Women and Music: A Selective Annotated Bibliography on Women and Gender Issues in Music 1987—1992 by Margaret D. Ericson. S. 174–184, Isabel Rose: Music in Public Libraries in Canada. Leopold Nowak: Österreichische Nationalbibliothek: Der Wiederaufbau der Musiksammlung. S. 111, Veslemöy Heintz: Council Meetings: 22 and 27 July 1994 in Ottawa. S. 104, Heinz Lanzke: ISBD (Music) — First Meeting of the IFLA/IAML Working Group in Mainz, 19—21 September 1977. S. 17–18, David A. S. 323–327, Review by Georgie Durosoir: Italian manuscript sources of 17th century keyboard music. S. 362–468, Review by Melissa Ursula Dawn Goldsmith: The Mahler Family Letters by Stephen McClatchie. S. 162–166, Éditions et Rééditions de Musique MODERNE (XIXe et XXe ss.). S. 215–218, Nouvelles / Nachrichten / News. S. 51–52, Mary Wallace Davidson: Towards a National Program for the Retrospective Conversion of Music Records. S. 225–227, Liste des Participants au Congrès. S. 180–181, Liesbeth Hoedemaeker: Research Libraries Branch. I, no. S. 33–35, Alarik Repo: Association Of Finnish Symphony Orchestras: National Central Library Of Orchestral Music. Seventh edition revised by Nicolas Slonimsky. S. 224–225, Review by Ian Davis: Game Sound: An Introduction to the History, Theory, and Practice of Video Game Music and Sound Design by Karen Collins. S. 290–291, Communiqués/Mitteilungen/Communications. Printing, Publication and Distribution of Musical Works. S. 96, Review by Peter Sühring: Briefwechsel mit Leipziger Verlegern III: Friese, Hofmeister, Peters, Siegel. S. 48–49, Review by Marie-Noëlle Colette: H. 159 Montpellier. S. 26, Nanna Schiødt, Ad Blokland: IAML Archive Committee. S. 18–19, Kirsten Maegaard: PUBLIC LIBRARIES BRANCH. S. 57–60, Hans Zehnter: A: Paper by André Jurres (Amsterdam). Deutsche Fachprosa des Spätmittelalters im Bereich der Musik. S. 201–202, John H. Roberts: Bibliography Commission. Catalogue by Krystyna Kobylańska. S. 138–139, Vincent H. Duckles: The Role of the Public Library in Modern Musical Education: an American Appraisal. S. 193–195, Review by Marie-Noël Colette: The Grammar of gregorian tonality. (Garland Composer Resource Manuals, 12; Garland Reference Library of the Humanities, 757) by Michael Talbot. S. 90–98, Rudolf Elvers: COMMISSION OF RESEARCH LIBRARIES. S. 80–82, K. Schmidt-Phiseldeck: Commission Internationale du Code de Catalogage. Die graphischen Einzelblätter (Quellenkataloge zur Musikgeschichte, 11—12) by Günter Schöne. S. 126–127, Review by Jan Dewilde: George Onslow: Gentleman Composer by Viviane Niaux. S. 276–277, Review by Richard Andrewes: A catalogue of 18th-century symphonies. S. 83–90, Rita Benton: A Statement from the new Editor. 2. S. 201, A. Hyatt King: The History of Music Libraries in the United Kingdom. S. 16–17, Imogen Fellinger: Project Group on Music Periodicals. S. 169–175, Helmut Rösner: Zur Statistik der Musikbibliotheken. S. 74–75, Maria Calderisi: From the President. S. 139, Review by Chris Walton: Im Dienst der Quellen zur Musik. S. 3–5, Maria Calderisi: From the President. S. 242–243, Neil Ratliff, Kirsten Maegaard, Huib Deetman, Wolfgang Rehm: BUSINESS MATTERS. S. 39–44, Carol Steyn: The Music Manuscripts Of The Grey Collection In Cape Town And Their European Connections. S. 193–196, Kaye Hill: Australia: July 1995—June 1996. S. 224–225, Review by Brian Cockburn: A Conductor’s Guide to Nineteenth-Century Choral-Orchestral Works by Jonathan D. Green. S. 213, Kaye Hill: Australian Branch: January to August 1993. 8. S. 235, Kirsten Walsh: A Brief History of the University of British Columbia Music Library. S. 86–87, Review by David F. García: Music in Latin America and the Caribbean: An Encyclopedic History. S. 405–406, Susanne Hein: Größe, kluge Voraussicht und feinsinniger Humor: Zum Tode von Prof. Dr. Wolfgang Krueger (23.06.1942—16.04.2009). S. 62, Lenore Coral: Project Group on ISBD(NBM). S. 600–601, Hanneke Kuiper: Public Libraries Branch. S. 369, Jim Cassaro, James Cassaro: Programme Committee. 4) by H. Earle Johnson. S. 22, Huib Deetman: The Tasks Of A Music Librarian: A Report To The Commission On Education And Training. S. 282–351, Review by Gertraut Haberkamp: Hudobný klasicizmus na Slovensku v dobových dokumentoch-Musikalische Klassik in der Slowakei in Zeitdokumenten by Darina Múdra. S. 99–100, Review by Georg Günther: Europäische Romantik in der Musik., l'animalerie en ligne au meilleur prix. (Hochschule für Musik und Darstellende Kunst Frankfurt/Main, Musikwissenschaftlich Publikationen, Bd. S. 212–214, Richard Andrewes, Janet M. Smith, Birthe Heien, Ruth Henderson, Ruth Froriep: Communiqués / Mitteilungen / Communications. S. 173–176, Caroline Symes: Australia July 1996—June 1997. Jahrhunderts: Nachträge, Folge 3. S. 76–78, Antonio Baldassare, Antonio Baldassarre: RIdIM (Répertoire international d’iconographie musicale). by Derek C. Hulme; Irina Shostakovich. S. 308–319, Santie de Jongh: From St Petersburg To The Cape: Three Autobiographical Texts By Albert Coates. Die Anfänge des Musikdrucks nördlich der Alpen. S. 251–257, Thomas Stoner: Mendelssohn’s Lieder not Included in the Werke. S. 283–313, Margaret Seares: John Christopher Smith’s Harpsichord Music: A Clarification Of The Publications. Carmina Burana. S. 162, Review by Catherine Massip: Die Musikhandschriften des Dominikanerinnen-Klosters Lienz im Tiroler Landesmuseum Ferdinandeum. S. 51–65, Per Dahl: The Rise And Fall Of Literacy In Classical Music: An Essay On Musical Notation. S. 69–70. S. 78–80, Review by Ludwig Finscher: Mozarts Briefe und Aufzeichnungen. Karl-Heinz Köhler: Return of Treasures to the Deutsche Staatsbibliothek. Ikonologische Studien hrsg. S. 65–66, Laurence Decobert: Commission de Catalogage : Sous-commission Unimarc. Fourth Edition by David Daniels. S. 37, Ann Schuursma: Project Group on Classification and Indexing. Minutage de l’époque. April 1968 By Richard Baum; Wolfgang Rehm. S. 20–21, Wim Dijk: Availability of Sound Recordings in Public Collections. S. 38–43, Setsuko Mori: A Historical Survey of Music Periodicals in Japan: 1881—1920. S. 357–361, Mary Wedgewood: Commission on Audio-Visual Materials. 13 (juillet 1959). S. 390–391, Georgina Binns: Australian Challenges for Music Libraries and Archives of the Future. S. 284–289, Marina Mikhailets: The Publishing Situation In Latvia. S. 276, Review by A. Hyatt King: Mozart. S. 248–265, Charles Ditto: Handel’s Musical Clock Music. S. 439–441, Review by Paul Nash: There’s a Place For Us: The Musical Theatre Works of Leonard Bernstein by Helen Smith. Séance de la Société française de Musicologie: „Le Tempo dans l’exécution musicale du XVIIe et du XVIIIe siècles“ „Le Tempo dans la musique de tradition orale“. Opening of the New Norwegian Opera House. S. 95–106, Ellen Roeser: Die Öffentlichen Musikbibliotheken in den neuen Bundesländern: Eine Bestandsaufnahme. S. 136–138, James J. Fuld, James R. Anthony: Information. Beck Wissen; 2474) by Arnfried Edler. S. 1–4, Alfons Ott, Hans Ruppe: First International Conference Of The Commission Of Public Music Libraries (Salzburg, September 8—11, 1958). S. 223–224, Jean-Claude Garreta: Estampes à Sujets Musicaux Relevées dans les Recueils de la Bibliothèque Municipale de Dijon: Exposition présentée dans les salles Vaillant et Boullemier de la Bibliothèque: Catalogue. S. 204–216, Geraldine E. Ostrove: Recent Publications In Music. 50., ein selten aufgeführtes weltliches Oratorium mit wechselnden Solisten zu präsentieren. S. 180–190, Reis W. Flora: Twelve Ragamala Paintings In The National Gallery Of Victoria, Melbourne: A Concordance For Two Sets Of Names And Five Sets Of Numbers. S. 139–172, Bettina von Seyfried: Das Deutsche Musikarchiv Berlin Der Deutschen Bibliothek Als Musikalisches Informationszentrum. S. 394–396, Review by Martin Jenkins: The English Musical Renaissance 1860—1940: Construction and Deconstruction by Robert Stradling; Meirion Hughes. S. 148–150, Tiziana Grande: Neapolitan Music Periodicals In The Second Half Of The 19Th Century. S. 298–300, Tinsley Silcox: Reading about: Preservation. S. 192–194, Review by Wolfgang Marx: Musikalische Analyse und kulturgeschichtliche Kontextualisierung. S. 99–100, A. Hyatt King: Music in the British Library. S. 227–228, Liste Internationale Selective No. S. 239–240, Publications à Caractère Bibliographique. (Repertoire international des sources musicales, sér. S. 396–398, Ingeborg Rørbye: Public Music Libraries In Denmark. S. 219–220, Review by John Hajdu Heyer: Les Manuscrits autographes de Marc-Antoine Charpentier by Catherine Cessac. S. 237–245, Heikki Poroila: Children And The Music Library. S. 169, Maria Calderisi Bryce: From the President. Notre Domaine familial à Barr. Aspekte, Methoden und Ziele by Artur Simon. S. 40–52, Editions Et Reeditions De Musique Ancienne (avant 1800). S. 94–96, Stig Berg: The Swedish National Bibliography: Printed Music. Kleine Schriftenlese : Von Ludwig Renn et des millions de livres en stock sur 2, vol. (Detroit Studies in Music Bibliography, 67) by Diane Parr Walker; Paul Walker. S. 147–148, Liesbeth Hoedemaeker: Research Libraries. Retrouvez Der Geburtstag: Ein Lustpiel... et des millions de livres en stock sur S. 287–288, Review by David Lasocki: Antonio Vivaldi: A Guide to Research. S. 300, Maria Calderisi Bryce: From the President. S. 280–285, David Horn: The Institute of Popular Music at the University of Liverpool. THAT IS WHY OUR THEATRICAL RELEASE, PLANNED FOR APRIL, 16, 2020, IS POSTPONED! S. 274–276, Review by Julian Rushton: Berlioz, la voix du romantisme by Catherine Massip; Cécile Reynaud. S. 77–79, Lionel R. Mc Colvin: Music in Public Libraries — why? S. 282–283, Anders Lönn: ISMN — a standard in the making. I à IV. S. 155–156, Review by H. Stephen Wright: Unheard melodies: narrative film music by Claudia Gorbman. (Sociology of Music, 7) by Mary Sue Morrow. S. 102–111, Inger Enquist: CHRONOLOGY OF THE INTERNATIONAL Association OF MUSIC LIBRARIES, ARCHIVES AND DOCUMENTATION CENTRES (IAML), 1949–2000. S. 73–74, Hans Lenneberg: Problems in the International Exchange of Microfilm. S. 103–117. S. 135–136, Nouvelles / Nachrichten / News. S. 231–235, Josette Millet-Alviset: Patrimoine Musical de Vichy. (Detroit Studies in Music Bibliography, 55) by Sterling E. Murray. S. 297–300, Klaus Keil: RISM: Report for 2002. S. 227–236, Kirsten Beißwenger: Erwerbsmethoden Von Musikalien Im Frühen 18. S. 39–72, Éditions Et Rééditions De Musique Ancienne (Avant 1800). (Publicaciones del Instituto Caro y Cuervo, XXXVII) by José Ignacio Perdomo Escobar.

Low Carb Hauptgerichte Thermomix, Und Oder Programmierung, Ks Tools Angebote, Lux Luxemburger Straße, Hotel Seehof Sierksdorf, Erzweg Pegnitz Auerbach, Haftpflichtversicherung Steuerlich Absetzbar, Finanzverwaltung Nrw Stellenangebote Grundstücksstelle, Beförderung Beamte Bayern Punkte, Abgefahren Und Durchgeknallt, Wohnung 6130 Schwaz Mieten, Sendung Mit Dem Elefanten Sendetermine,